Archive for August, 2008
Review: Traitor

Don Cheadle plays Samir Horn, a devout Muslim who has traveled the globe, assisting various Islamic extremists by building bombs and planning attacks on Western targets. He’s also working for the U.S. government. Horn grew up in an Islamic household and eventually joined the United States Army, where he received special ops training. He soon dissapeared, believed to have turned traitor to the U.S. and begun several bombings.
But all is not as it seems, in the tense, straight-from-the-headlines thriller from director Jeffrey Nachmanoff. It turns out that Horn is a double agent, working his way up in an underground al-Qaida-esque Islamic terrorist network in order to help bring it down. His handler is a man named Carter (Jeff Daniels), who has kept his mission top secret from practically everyone. Horn’s activities have caught the attention of an elite FBI counter-terrorism unit headed by Roy Clayton (Guy Pearce) and Max Archer (Neal McDonough), who have pursued Horn all over the world.

The main focus of this movie is on Cheadle, whose conflicted Horn must deal with the results of his actions alone. He considers Muslim terrorists traitors to Islam, and is willing to appear to be one of them in order to take them down. However, in order to gain their trust, he must do what he despises: kill innocent people. Carter does what he can to help Horn; from planting already-dead bodies in the aftermath of an explosion, to supplying Samir with money and materials needed for the bombs. Horn, however, becomes guilt-ridden when the innocent body count begins racking up. All of this leads to a suspenseful final act that raises the bar in post-9/11 thrillers.

Don Cheadle is great in this role. Even though his boss is Carter, he answers to God alone, willing to ignore his superiors in order to do what is right. Guy Pearce and Neal McDonough play their parts fine, although they’re relegated to running around after Cheadle. Jeff Daniels, unfortunately, doesn’t really have much to do. He’s only in a few scenes and spends much of his screen time annoyed with Horn. Writer/Director Jeffrey Nachmanoff, working from an idea by Steve Martin (yes, that Steve Martin) builds the tension slowly, allowing the actors to wade deeper and deeper into the storyline. The action is rather tame compared to other recent action/thrillers like The Bourne Ultimatum, but the focus here is on the people, and not necessarily the story.

In the end, the big question the movie raises is, “How many innocents must die in order to protect everyone else?” In an ideal world, the answer would be, “None,” however this is an imperfect world. Innocent people do die, even if it is in the name of a percieved good. Traitor doesn’t attempt to answer this question, but puts it out there for the audience to make a decision. While not exactly a masterpiece of the genre, Traitor stands out by never really choosing a side, and by showing the lengths each side is willing to go to win the ‘War on Terror’.
8/10
Add comment August 30, 2008
‘Quantam of Solace’ Video Game Trailer
Wow, it looks like these game developers are really getting some mileage out of existing engines. Batman: Arkham Asylum looks great running on the 2-year-old Unreal Engine 3 and the Quantum of Solace game is doing some great water effects with the Call of Duty 4 engine.
Add comment August 24, 2008
Nolan No-Go For Batman 3?
Possible, but not likely. Christopher Nolan knows that, among comic book geeks, he is revered. Nolan is credited with single-handedly saving a stagnant franchise and elevating the comic book movie from summer popcorn fluff to a work of art (though I’m sure there are some who will argue that point). Point is, the fans, and probably the critics, too, will be upset if he doesn’t do the third Batman movie. Not just a third, but the next one in the series.
I do think that Nolan should take some time off and do some other work just to refresh his creative batteries. The Prestige was a very different movie from Batman Begins, and maybe that time away from comic book material was what he needed before he took on The Dark Knight. That’s probably something Sam Raimi should have done before turning out the decent, albeit lackluster Spider-man 3…
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Add comment August 20, 2008
Batman: Arkham Asylum – Video Game
Having just recently got back into the world of comics, I’m pretty excited to hear that there’s a new Batman game coming, and not the type that usually comes with the release of a movie.
Eidos announced earlier this week that there’s a new game coming based on the comics, and not the excellent The Dark Knight film. Here’s part of the story from 1up.com:
By “based generally,” that is to say Eidos owns the rights to the Batman comics (while EA owns the rights to the Batman movies), but Batman: Arkham Asylum isn’t specifically based on the graphic novel of the same name. Rather, it’ll reportedly pull from all 70 years of comic history, with an original story crafted by Paul Dini (who served as a writer, producer, and editor for Batman: The Animated Series), and artwork and character designs by DC Comics studio Wildstorm.”
Here are some screens. As you can see, it looks good. Unreal Engine 3 looks even better than before.
Can’t wait. I actually just finished reading Arkham Asylum – A Serious House on Serious Earth last week. It’s a great book, definitely different from the usual Batman fare. Check out the rest of the 1up story here.
1 comment August 16, 2008
Review: Star Wars – The Clone Wars

It’s painfully obvious that this was meant to be a 2-hour television series premiere. What Lucasfilm was able to cram into the 98-minute runtime, however, is entertaining, despite the usual Star Wars flaws. Star Wars – The Clone Wars fills in the gap between Epsiodes II (Attack of the Clones) and III (Revenge of the Sith), continuing on what was started in Cartoon Network’s animated mini-series (also called Clone Wars), created by Dexter’s Laboratory mastermind Gendy Tartakovsky.
During the height of the Clone Wars conflict between the Galactic Republic and the Confederation of Independent Systems, Outer Rim gangster Jabba the Hutt’s son is kidnapped. This leads to a race between the Republic and the CIS to find him in order to win the allegiance of Jabba, whose hyperspace lanes each side needs for the war effort. Obi-Wan Kenobi and Anakin Skywalker are sent to investigate. To top it all off, Anakin is given a padawan learner, Ahsoka, to train; a duty Skywalker does not want.

The good news is that there’s plenty of action to keep an audience occupied. What downtime there is only lasts a few short minutes before we’re off to the next big battle. The action comes fast and hits hard; the opening battle, on a planet called Christophsis, is really well-done, rivaling many of the action sequences in the live-action movies. The explosions are big and loud, clones and droids get shot and blown up, and the camera always seems to be in the thick of it. A very eye-catching scene.

The Jedi battles are also fun to watch, but definitely no where near as cool as watching Qui-Gonn and Obi-Wan vs Darth Maul n The Phantom Menace, or the epic Obi-Wan vs Anakin duel in Revenge of the Sith. Staying true to the animation, the melee combat moves a bit jerky and, well, cartoonish, but considering the visual style, it doesn’t seem out of place. Director David Filoni and the writing team do a decent job of setting a more militaristic mood for the series, giving us a little more time with the Republic’s clone soldiers. On a side note, the video game Battlefront II gives a surprisingly deep and detailed account of the lives of these seemingly faceless clones.
The animation itself is fine. While, quality-wise, no where near as good as something like the amazing Wall-E, it is in step with the original mini-series. There are times, though, when the CG looked so good, I thought it was an actual model. Some close-ups of the ships, clone soldiers, and even R2-D2 are rendered very well.

The bad news is that most of the flaws apparent in the live-action films are present here, most notably bad dialogue. What really bothered me was the bantering between the CIS droids. Do battle droids really need to talk in the first place? Fine, I’ll accept that, but they’re constantly bickering and they sound inept, making them seem like innefective soldiers. They’re supposed to provide some comic relief, but they make the CIS less of a threat to me, and not this peace-threatening revolt that’s destroying the galaxy.
Also, Ahsoka calls Anakin ‘Sky Guy’. Really? That’s stupid. Anakin has a nickname for her, too, but Sky Guy is just retarded. Obi-Wan’s dialogue isn’t really that much improved from the series, either. Everything he says, especially to the villains sounds like some smarmy comment. Jedi are supposed to be humble, and Obi-Wan doesn’t sound like it half the time. The story itself is pretty segmented; you can tell that this was a 2- or 3-part series premiere strung together. The overall story arc remains intact, but it’s obvious where one episode ends and another begins.

The music is OK, but it certainly doesn’t feel like Star Wars music. I would’ve liked to see John Williams return to compose the music for the movie, but it’s not terrible, just out of place. There was definitely some modern-day influences, especially with the percussion and some electric guitar riffs. And there’s something to be said about the opening logos. It’s just not the same without seeing and hearing the 20th Century Fox Fanfare right before the Lucasfilm logo. The Warner Bros. logo just isn’t that cool. I had the same feeling when watching Casino Royale and having the Columbia Pictures logo (I prefer just the MGM lion, thank you very much). It’s just…weird. And no opening title crawl?! I don’t really care if there isn’t one in the beginning of each episode of the show, but this is supposed to be a Star Wars movie! Put in a damn title crawl!

For those that are confused with the new Sith villain, Asajj Ventress, she was introduced in the 2D animated Clone Wars a few years ago. He scenes are actually kind of cool, and the battle between her and Obi-Wan was nice. She also has a funny moment involving a battle droid asking for a status update. Darth Tyranus is back, but doesn’t really do much. His character does set up some plot elements, but that’s really about it. I expect there’s going to be much more from him in the show.

The voice cast is fine, but the only actors reprising their live-action roles are Anthony Daniels (C-3P0), Christopher Lee (Count Dooku/Darth Tyranus), and Samuel L. Jackson (Mace Windu). The actors playing Anakin, Obi-Wan, Yoda, and Padme do sound a lot like the actors that originally portrayed them, but it’s not the same. Not surprising, though, as they don’t want too many voice discrepancies between this movie and the show.

Star Wars – The Clone Wars is really for die-hard fans only. It is really made for kids, although adults with a soft spot for the franchise will find some enjoyment out of this. I’m actually glad they turned the series premiere into a movie, because on the technical side of things, it’s very much like the live-action counterparts: loud and colorful. There’s also some elements of old-school Erol Flynn-type swashbuckling here, which was present in The Empire Strikes Back, Attack of the Clones, and Revenge of the Sith. I am very much excited for the Cartoon Network series (as well as the planned live-action show that’s supposed to take place between Episodes III and IV), and I hope the show is a better format for this type of storytelling. Still, it’s a decent movie that hardcore fans shouldn’t pass up to see on the big screen.
7/10
Was it me, or was Ahsoka calling R2-D2 by some other name? Sounded like, R2E, or something like that. Weird.
(images from Yahoo!)
4 comments August 16, 2008
‘Dark Knight’ On It’s Way To No.2
According to Box Office Mojo, Christopher Nolan’s The Dark Knight is about $10 million shy of tying for the number two spot on the All-Time Domestic Gross list. Currently, Titanic sits at numero uno with $600 million, with Star Wars behind at $460 million, and The Dark Knight at $450 million.
Adjusted for inflation, however, tells a different story, with Gone with the Wind at Number 1, followed by Star Wars and The Sound of Music.
In current worldwide standings, Titanic is still number 1, with the The Lord of the Rings: The Return of the King in second, and Pirate’s of the Caribbean: Dead Man’s Chest in third. The Dark Knight is currently about $300 million behind them at No. 29.
Add comment August 14, 2008






